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Erwin Wurm’s ironic and irreverent art exists in a continuous dialogue with the objects and environment that surround us. The result is a journey that asks us to reflect on what we consider essential and to reconsider how political differences extend beyond the world of partisan politics. His free spirit made him widely known in the art world for the first time at the end of the 1980s, precisely in 1988. 1 minute sculpture In it, he or his models briefly posed as sculptures.
After this remarkable series in which the boundaries between person and object, life and art were blurred, Wurm, considered by many to be Austria’s greatest contemporary artist, went on to create works by others such as created an unforgettable series. fat car (2001), a giant car was made of Styrofoam and polyurethane foam and then painted with lacquer. an alienating metaphor for Unthinkable (2007), a limp boat was built and hung on the bank of a canal.and a menacing anthropomorphic intrusiveness. fat house (2017). There was also a disturbing view of carnal knowledge. big kiss ” (2015) is a work about two sausages embracing each other in an uncontrollable passion.
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Wurm approaches everyday subjects with an essayist’s sensibility, using ironic hyperbole and insidious paradox to provoke reflection and wryly neutralize the anthropological and political overtones of his work. . “In my opinion, play has great power, real destructive power,” Wurm said. “Humor and playfulness allow us to ask many questions and convey different content without becoming offensive or dogmatic.” And humor and playfulness are another part of the artist’s work. This is an important element.narrow house, the narrowest house in the world (it’s about 23 feet tall and 52 feet long, but only 4.5 feet wide). Although other models of his 1960s-style suburban homes exist, the only one on permanent outdoor display is located in Le Havre, Normandy, France.
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