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The government’s innovations through Indonesia Fund disbursements have received positive responses from cultural figures and artists. They want the Indonesia Fund, which is funded by the Cultural Endowment Fund, to be maintained. Especially by the next government.
Among those who have expressed this desire is Padepokan’s Yusap Oyeblet Bumi Seni Tarikolot. He said the Cultural Endowment Fund was something they had been working towards for many years, which culminated in the Cultural Conference held in 2018.
According to Oeblett, the Cultural Endowment Foundation and its offshoot Indonesia Foundation represent the country’s presence in the cultural field. “How the country pays great attention to cultural issues. This kind of funding is new in Indonesia,” he said on Thursday (7/3).
He emphasized that the Cultural Endowment Fund must be maintained continuously, including under the new administration. He had heard rumors that the cultural funds might be used for other purposes.
Kang Oeblet said that in 2018, the government allocated about Rp 5 trillion to the Cultural Endowment Fund for the first time. The proceeds from the management of this endowment fund were then distributed to cultural and artistic interests. There were no restrictions. All 10 fields of arts and culture can access the Indonesia Fund.
“The distribution of this fund is huge. It reaches every corner of the country,” he explained. Therefore, artists from different regions can benefit from the Cultural Fund.
Nevertheless, Can Obret argued that true artists and cultural figures have already proven their existence, with or without state funding. However, with such funding, they could become more widely known to the public through the variety of artistic and cultural performances they produce.
Kang Oeblet himself received an expenditure of approximately Rp 1.1 billion in institutional support. The funds were allocated to the Bumi Seni Tarikolot Foundation, Padepokan Seni Yusap Oyebulet. Funding was also allocated for arts and cultural performances.
“My hope for the future is that the Indonesia Fund’s allocation can be further expanded,” he said. Additionally, the distribution of these funds could be more equitable. This is true not only in urban areas but also in areas where cultural and artistic heritage is already deep-rooted.
He stressed that cultural endowment funds will not be diverted to other areas or sectors. This is because efforts to develop culture and the arts are extremely important. States must oversee the sustainability of domestic arts and culture.
According to information from the Ministry of Education, Culture, Research and Technology (Kemendikbudristek), the Indonesia Fund manages funds from the Cultural Endowment Fund. This fund is expected to support the continuation of cultural activities in Indonesia. The operational benefits of the Cultural Endowment Fund provide a stable source of funding for various cultural projects. These range from art production, research and cultural development to Indonesia’s participation in world-class cultural events.
The Indonesia Fund is used not only for the development of arts and culture but also for educational activities. This includes funding projects that integrate culture into school curriculum systems. The aim is to strengthen students’ understanding and appreciation of local and national culture. and teach students the importance of preserving and promoting culture.
Hilmar Farid, Director of the Department of Culture at the Ministry of Education, Culture, Research and Technology (Kemendikbudristek), said that through the funding from the Indonesia Fund, Indonesia’s cultural ecosystem has been strengthened. As a concrete example, various cultural projects have been launched. These include art production, cultural research, and participation in global cultural forums. “These activities will encourage Indonesian artists and cultural figures to innovate more actively and enhance their creativity,” he said.
#Cultural Fund #Indonesia Fund
#Directorate of Culture
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