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Asia’s leading film directors Zhang Tso-chi, Lav Diaz, Midi Z, Tan Chui Mui, and Yang Chao have been selected.
Top Asian filmmakers including Chan Tso Chi, Luv Diaz, Midi Z, Tan Chui Mui and Yan Chao will be in the ongoing section of the Hong Kong-Asia Film Finance Forum (HAF) project market next month He is scheduled to appear.
HAF organizers on Thursday added 15 WIP projects to the CAA China Genre Initiative, which has so far selected 26 projects in development and six genre film projects.
The HKIFF Industrial Project Market, comprising 47 projects, will be held from March 11 to 13, in parallel with the 2024 edition of the Hong Kong International Film & Television Market (Filmart), which will be held from March 11 to 14. Masu.
Highlights include “The Land is Our Navel,” directed by Zhang Zhongcheng (“The White Cow”) and produced by Midi Z (director of 2019’s “Nina Wu” and the upcoming “The Unseen Sister”); “It is included. A 6 year old girl and a ghost.
“The Wind Can’t Stop” by Huo Meng (“Crossing the Border – Zhaoguan”) depicts family life in a small town before the migration from rural to urban areas in China began. Directed by Shen Koshan, “Deep Quiet Room” stars Ariel Lin and Joseph Chan, and is about a man who uncovers the truth behind his wife’s suicide. Upamanyu Bhattacharya’s animated feature film Heirloom is a historical drama set in Ahmedabad that tells the story of a magical tapestry that immortalizes family history. “Intimate Encounter” by Zhang Tso-Chi (“Drunk Thanatos”) is about a young man who returns to live with his grandfather during the COVID-19 pandemic. Elapse by Zhang Hanyi (Life After Life) is a project that participated in both the HAF Film Lab and the HAF IDP program, and is about a woman who returns to her hometown to re-establish a new family order through bird hunting. This is a project depicting.
Other titles include Oliver Chan’s (“Still Human”) second feature “Montages of a Modern Motherhood.” This is a story about a new mother who suffers from baby blues. Quentin Hsu’s feature debut, Admission, follows a couple determined to find an informant who is blocking their six-year-old child’s admission to school. And “Ravens”, directed by Mark Gill (“England is Mine” and the Oscar-nominated short “The Vaughman Problem”), starring Tadanobu Asano, is about Japan’s leading photographer Masahisa Fukase and his muse. This work depicts Yoko Wanibe’s turbulent relationship.
“Yongle Palace” is a quirky comedy directed by Nan Xin (“Go Photo Shoot”) and produced by Yang Chao (director of “Cross Currents”) about a relationship between a childhood friend and creditor, an internet celebrity. This is the story of a man who reluctantly helps out on a date. .
Jang Jeong-yu’s feature debut, “Green Persimmon,” is a drama about an ex-con and a mentally damaged woman who find solace in each other before reality sets in.
Produced by Tan Chui Mui (director of “Invasion of the Barbarians”), Jiang Xiaoxuan’s feature debut “Killing the Mongolian Horse” is about a herder who lived a double life as an equestrian entertainer in parallel with the collapse of Mongolia. It was inspired by the true story of the people. traditional way of life.
Adam Wong’s “The Way We Talk” (Hong Kong indie hit “The Way We Dance”) revolves around three young deaf people who strive to unlock their potential in life.
Filipino veteran Lav Diaz will perform Kawalan, about a local community that moved deep into the jungle to avoid Japanese invasion during World War II.
Diamonds in the Sand is documentary filmmaker Janus Viktoria’s feature debut. The film depicts an elderly Japanese office worker who travels to Manila to escape dying alone and unnoticed. Lorna Tee (Mrs. K) and Dan Villegas (Fan Girl) will produce the film as a Filipino-Japanese-Malaysian co-production.
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