[ad_1]
NEW YORK (AP) — Los Angeles Opera canceled plans for the world premiere of mason bates “The Amazing Adventures of Cavalier and Clay” will be held this fall for financial reasons. Instead, the production opens with a student cast from the Indiana University Jacobs School of Music.
Based on Bates’ composition michael chabon’s The novel that won the Pulitzer Prize is metropolitan opera It was scheduled to begin on October 26th at the Dorothy Chandler Pavilion. Instead, it will be held for four performances at the Musical Arts Center in Bloomington, Indiana, from November 15 to 22, before moving to the Metropolitan Museum of Art as scheduled in 2025-26. season.
LA Opera CEO Christopher Kölsch said: “This is a very ambitious and therefore expensive project, which unfortunately was not within our control under the current circumstances.” “Operationally, we are getting back to pre-COVID-19 normalcy in terms of revenue. Audiences are coming back and both revenue and contribution income are stable. The big difference is cost. The structure is not what it was pre-coronavirus.”
The Metropolitan Museum of Art first discussed plans for the project and highlighted its development in 2018. Manga industry. Coach Koelsch made the decision to withdraw L.A.’s participation in October.
“I was shocked at first, but I also understood that all opera companies in America face huge challenges financially, so I was sympathetic,” said Peter, general manager of the Metropolitan Museum of Art. Gelb said. “I wish the timing had been a little better, but I am hopeful that I will be able to see this show a year before its premiere at the Metropolitan Museum of Art, because it is a very complex opera with many scenes. .”
Mr. Gelb prefers to show new works with other companies to allow for changes before they are presented at the Metropolitan Museum of Art. Composer Janine Tesori What the librettist George Blunt is working on is, Rewrite it to “Grounded”. It premiered at the Washington National Opera last fall and will open the Metropolitan Museum of Art’s 2024-25 season.
Evans Millergias, a former recording executive and artistic director of the Cincinnati Opera, suggested the Jacobs School to Paul Cremo, the Metropolitan Museum of Art’s commissioning director, because the theater’s stage size was similar to that of the Metropolitan Museum of Art. Cremo sent an email to Avra K. Bush, dean of the Jacobs School, last month suggesting the change.
“We stopped at a dead end,” President Bush said. “My first reaction was, ‘Let’s give it a go.’ So I’ll think about the money and ask for forgiveness later if I need it.”
Bush and two other school officials attended an operatic piano vocal workshop in the basement rehearsal room of the Lincoln Center Theater last month, freeing up space on the school’s 2024-25 schedule. Bartlett Sher Indiana and will likely be conducted by Michael Christie, who also serves as music director at the Metropolitan Museum of Art. Yannick Nézet-Séguin Take over in New York. The design team includes Mark Grimmer and his 59 Productions, and the production has approximately 10 major roles and 10 of his secondary roles.
Bates, 47, won a Grammy Award in 2019 for “The (R)evolution of Steve Jobs,” which he co-produced with the Jacobs School and premiered at the Santa Fe Opera in 2017. Bates currently orchestrates works that include electronic music and librettos. Gene Scheer.
“This is a story about Jewish immigrants changing American culture, and it’s definitely something that resonates in Los Angeles,” Bates said. “In a way, going to Indiana is very welcome because it probably gives you the flexibility to experiment and try things that might not be available at a professional home.”
[ad_2]
Source link
