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Even before TikTok singles became popular, Tierra Whack had already mastered the art of nano-songs. Released in 2018, “Whack World” is his compact yet impressive debut mixtape. In his kaleidoscopic 15-track joyride, each song checks in with exactly his one minute. And surprisingly, most of the tracks are complete songs rather than fragments. Even if they pass by very quickly. It’s captivating, but it looks like a preview of a climactic release that never materialized.
In a sense, her career itself has unfolded like slices of six months. Since releasing her first tape, Whack has released music sporadically, releasing the occasional loose body of work along with her three charming but short EPs three years ago. She was a freshman on XXL and was sometimes compared to hip-hop legends, but the rarity of her music stopped her from being classified as a star, while also avoiding the scrutiny that came with her full-length projects. It’s pushing her away.
Safeguards and assumptions can be set aside with the release of her debut full-length album, “World Wide Whack,” which expands on the creative vision she introduced six years ago. Check in in about 40 minutes and you’ll see a fully realized portrait of Tierra in all her singular glory. If her first project was “Whack World,” this time it’s her Whack Universe. She travels all over the map on her music, bouncing between retro jazz, her funk, jaunty rap, and crayon-doodled, quirky girl-friendly R&B. Depending on her songs, she can be a goofier SZA, or a free-spirited Kendrick Lamar that pushes the boundaries and gets even wilder. With its diverse soundscapes, elastic sonic shifts, and diverse structural approaches, the album is described as a neonic funhouse, but the distortion here is a personal touch of the 28-year-old Philadelphia artist. It only makes her creative DNA more evident.
Whack’s style genetics will be in focus from the jump. Known for her vocal mannerisms and variations in her sound, she proves the comparison between Missy Elliott and “Ms. Elliott” to be accurate. Behave” is a pulsating anthem that feels like a dystopian “Pass the Canadian.” She delivers an adventurous punchline with the iconic bad girl hook: “I never misbehave or I’ll be late.” Boasting is distilled through intermittent childlike childbirth. In “Snake Eyes”, she develops a Lamar-esque vocal tic when pronouncing “Mmm” as if trying to learn the alphabet.
A master of timbre and aesthetics, Wack switches levels of sound and diction depending on his mood. On “X,” she uses an animated flow to tell listeners how she feels about her ex-lover. Soaring over a plodding post-punk soundscape, she pushes her vocals into a rising mood of romantic indignation, evoking explosive tension with her frenzied shouts weaving into each of her drum kicks. Masu. “Shower Song,” which taps into the thrill of singing in her bathroom, has a frenzied “Blues Cruise” feel to it, with Whack leading a childlike chorus. That Technicolor innocence melts into devastation on “Numb,” which fuses astral beats with themes of hurt muttering and regret.
These are all extreme emotions, but her control allows her to convincingly bring them to life, and even if it’s a little forced at times, the most subtle expressions only enhance their effect. is. Meticulous and powerful, the lyrics of “Difficult” express the depression of someone exhausted from dealing with trauma, with their disregard for facts and missed calls. Can I spit it out? / I forgot to call you back, but I meant to / Mom said it was all about my heart. ” This track is a masterpiece of melancholy, with layers of melancholy melody and moody acoustic guitar.
But Whack comes into his own, grafting trippy, sing-song raps onto absent-minded beats, floating between reality and “The Secret World of Tierra Whack.” Within these surreal spaces, she uses semi-impressionist lyricism to encode her emotional outpourings with hidden meanings. Floating in her disembodied, dreamlike instrumentals, Tierra uses the image of her “imaginary girlfriend” to express her supportive, secret connection. Meanwhile, in her ominously titled “27 Club,” she delivers her foul-mouthed performance with her musings on depression and suicide. Lullaby cries and fading bells imbue the track with a layer of subdued fantasy. It’s like the moment a child realizes that Santa isn’t real and that no one lives forever. All in all, “World Wide Whack” is gentle, fatalistic, colorful, and endearingly weird, a balance achieved by someone with the best curatorial instincts and a talent for swirling all the elements together. It’s something that only you can control.
Changes in topic can be as jarring as changes in sound, but through her conviction, adaptability, and deft vibe control, Whack manages to keep everything consistent while maintaining the energy of her best releases. I am making it something that I have done.Years after her debut project, the concept tierra whack the rap star is more of an idea than a concrete reality, and many are wondering when exactly her ceremonial full-length LP will be released, cementing her status as one of rap’s top creators. I was wondering if I would do it. With the release of the wonderful “World Wide Whack”, all theoretical consequences can disappear in the glory of reality.
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